Kerry Washington’s ‘Six Triple Eight’ shows the important role Black women played in WWII

The job was considered impossible: Clear 17 million pieces of backlogged mail. In a war zone.

Maj. Charity Adams knew it was a mission that could not fail, not just for the sake of morale of World War II troops, but also for the reputation of Black people in the eyes of the country’s top military brass. The real-life efforts of the 855 women of the Women Army Corps’ 6888th Central Postal Directory Battalion are captured in Tyler Perry’s latest film, “Six Triple Eight,” streaming now on Netflix.

To Kerry Washington, who portrays Adams, the battalion’s ability to resolve an ongoing problem in the face of discrimination while also being underestimated by others around them felt like both a herculean task and an all-too-familiar scenario.

“When these women were asked to solve this problem, it was a problem that lots of people had tried to fix, and nobody could,” Washington said in an interview with NBC News. “They came in and, as Black women do, they figured out how to fix a situation that seemed impossible to fix, and by doing so, they returned hope and purpose and belonging and love to the soldiers to help end the war.”

Mary McLeod Bethune, head of the National Council of Negro Women and a member of what was known as President Franklin Roosevelt’s “Negro Cabinet,” whom Oprah Winfrey plays in the film, advocated for Black women to serve in the war. But while Black women were admitted to the military, they were segregated from white women and given very little to do. Because top military brass deemed Black people generally inferior, many doubted a successful outcome to clearing endless piles of mail.

“Back then, mail was how you stayed connected to the people you love,” Washington said. “There was no WhatsApp, no texting, no emailing, no FaceTiming. Rarely could you get to a landline phone. People didn’t have cellphones, so mail was it,” she said. “So when soldiers weren’t getting mail, they no longer had hope. They had lost their sense of purpose.”

The unit’s work had been forgotten by most — even Perry, the director, did not know about the 6888th’s work until producer Nicole Avant contacted him about taking it on.

To play 17-year-old Lena Derriecott, Perry tapped Ebony Obsidian, who stars in his long-running series “Sistas” on BET.

The role came as a surprise to Obsidian. When he asked her to read the script, she did not realize it was a true story or that he wanted her in his film.

“I hadn’t even thought about me playing Lena when I read the script,” she said with Washington by her side.

Obsidian, whose other credits include the Barry Jenkins film “If Beale Street Could Talk” and the Hulu series “Wu-Tang: An American Saga,” admits she was worried about portraying the lead but said she was honored Perry would select her. Her mother’s urging and reminder of her childhood nickname, “Little Soldier,” helped persuade her “to take this no matter how intimidating it is,” she said.

“Meeting with Lena was the biggest gift,” Obsidian added. “She obviously was 100 years old when I met her, but at 17, I feel like there are certain elements about her that had to be the same, that had to just be noble.”

Washington did not get to meet the real Adams, who died in 2002 at age 83, but she still felt guided by her.

“She passed, but she wrote a really beautiful memoir called ‘One Woman’s Army’ that I read a couple times,” Washington said. “I devoured it, and I used to have portions of the memoir hanging up in my dressing room. I surrounded myself with pictures of her and watched archival footage and interviewed people who knew her and worked with her and listened to old interviews. I just really tried to submerge myself in as much of her soul and essence as I could.”

Washington said finding the commander’s actual trunk from World War II, containing her clothes and handwritten notes, outside her dressing room after having rehearsed one of Adams’ monologues with Perry felt like an approval.

But how Washington speaks in the film has generated the most interest, including from her own kids, who asked, “Whose voice is that?” after she played them the trailer. To achieve that distinctive voice, which sounds like a sharp Southern twang punctuated by precise Midwestern enunciation, perhaps reflecting Adams’ South Carolina upbringing and schooling at Wilberforce University in Ohio, Washington worked hard with both an accent coach and her acting coach.

“They didn’t have amplification back then. It wasn’t like she was standing there with a karaoke machine,” she said. “So if I had the kind of responsibility and command and calling that she had, where would that live in my body? How would that impact my posture? How would it impact my voice? How would it impact my resonance and my need to be heard by these women so that they felt seen and heard by me? Those are some of the questions that I asked to help me figure out where that vocal performance came from.”

Washington and Obsidian said they are grateful to be at the center of a film celebrating Black women’s strength, excellence and sisterhood, which Obsidian said also shows that “you can overcome anything you need to overcome with the right support and the right people by your side.”

Washington said: “It’s really exciting to be part of, in some ways, corrective history. We are telling a story that has been pushed into the margins about some true heroes, not just American heroes, but heroes of democracy all over the world.”